Here are the abstracts of the other two papers:
Comparison of Childs’ Exodus and Isaiah Commentaries: continuity and development
A common
misconception of the development of Brevard Childs’ thought is that he first
started out as a historical critic, interested in diachronic questions and the
history of tradition, and later took a more theological turn, eschewing
diachronic analysis to focus exclusively on the final form of the text. This
view, however, misunderstands the way Childs’ appreciation of the final form
was grounded in a certain kind of diachronic consideration, one which factored
the reality of the theological source of the tradition into his appreciation of
its nature. It was this that led to his later development of final-form
interpretation. As such, Childs’ later work as an interpreter of the canonical
context is a natural extension of his earlier work as an interpreter of the development
of that context. Yet these two dimensions—the “diachronic” and the “synchronic”
(terms Childs hardly used)—remained intimately connected throughout his career.
My thesis is that the real development in his thought involves less an abandonment
of the uncertainties of speculative reconstructions in favour of the church’s
traditional and apparently more objective text than a growing appreciation of
and confidence in talking about the ontological reality of God as a factor in
the Bible’s creation. This thesis can be illustrated by comparing the only two
full-length scholarly commentaries written Childs, both of which roughly
bracket his career. His first commentary on Exodus was written during 1970s
before he had even coined the term “canonical approach,” the second on Isaiah
was written in 2002 towards the end of his life, at a time when the term
“canonical” had started to become problematic for him. This paper will
demonstrate that in both commentaries Childs worked with the same exegetical
logic. The difference is that in the latter commentary Childs’ relative
decrease in confidence about the reliability or usefulness of diachronic
reconstruction is accompanied by an increase in his confidence in using
theo-ontological categories to describe the forces at work in the production of
the text.