Literary associations are not made for reasons of esthetic matching or for smoothing out possibly rough literary transition (if such had been the intention, we would struggle to spot secondary editing and derivative association in the first place, quite apart from interpreting its possible hermeneutical significance). Rather, these associations are made on the basis of theological convictions concerning God's character through time, God's sovereign purposes with the nations, God's deliverances of judgment and of mercy through time, and God's eschatological determinations derived from protological announcements and anticipations in the events of his historical life with Israel (250).
Thursday, 26 March 2009
In my post Biblical figuration as literary technique I pointed out that Biblical figuration is, well, a literary technique. The next question is why? What was the hermeneutical intention animating the creation of such literary associations? For Seitz, the term figural denotes the way in which the prophetic tradents wished to direct our attention towards the effect of their juxtapositioning of later and earlier witnesses.